For the first time in Mazandaran province, an authentic handwoven carpet featuring a Gelij design—rooted in the ancient motifs of the Sassanid period—has been created, blending the region’s carpet-weaving heritage with the aesthetics of historical architecture. This intricate work was designed and woven entirely by hand by Kobra and Zahra Baqeri, two artist sisters from Dodangeh in Sari.
Inspired by the Sassanid-era “bird’s foot” motif, the piece took over 40 days of dedicated craftsmanship to complete, combining traditional symbols, ancient pottery influences, and native Mazandaran weaving techniques. Measuring 1.5 x 1 meters and woven with plant-based yarns, the carpet reflects both artistic innovation and a revival of forgotten heritage.
“This is the first time the Gelij pattern has been implemented in Mazandaran carpet weaving,” said Zahra Baqeri, highlighting the design’s originality. “We wanted something both true to our roots and visually striking.” Her sister Kobra, who oversaw the colour palette and pattern composition, added: “Gelij’s geometric harmony reflects both beauty and cultural continuity. We aimed to draw every viewer’s eye to Iran’s authentic traditions.”
The sisters called for greater institutional support, including the registration of works, improved workshop facilities, and opportunities to present such creations in domestic and international markets. The carpet is now undergoing preliminary registration as one of Mazandaran’s distinguished handicrafts.
The launch of this Gelij carpet comes as Iran’s handmade carpet exports show signs of recovery. According to Zahra Kamani, head of the Iran National Carpet Center, exports grew by around 4% in value last year, reaching $39.7 million after two decades of decline. Iranian carpets were shipped to 65 countries, with Germany, the UAE, Japan, and China accounting for over $22 million of sales.
Kamani attributed the growth to the easing of restrictive regulations and new initiatives by the Ministry of Industry, Mining, and Trade, alongside the National Carpet Center, aimed at boosting Iran’s global carpet presence. “With supportive measures and coordination between monetary and banking systems, further export growth is within reach,” she said.
More than just a carpet, the Mazandaran Gelij creation is a symbol of female creativity, intergenerational heritage, and cultural resilience—a new chapter in northern Iran’s carpet-weaving legacy.
